Conversation
The Inside Dictates
Ritesh Uttamchandani on self-publishing, the myth of the book object, and why the work has to come first.
Rather than a feed, it is a room — a place to spend time with photographs and the questions they open.
Matilde Simas follows Cary Stuart through the long aftermath of trafficking — through relapse, motherhood, and the slow, uncertain work of becoming free.
From the Journal
Ritesh Uttamchandani on self-publishing, the myth of the book object, and why the work has to come first.
In Sindhudurg, where he was raised, Indrajit Khambe photographs his children in rivers and forests that hold no pictures of him. These images are what he makes instead of memory.
Kaamna Patel on how Editions JOJO grew from a self-publishing practice into a library, platform, and space for photographic exchange in Mumbai.
Richard Sharum drove thousands of miles through the American interior. Every image here is one that didn’t make the book. The other side of the same journey.
Bayard Wootten built a practice on her own terms, long before the industry had a place for her.
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